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Also, when we were making Colma: The Musical, I had wanted Maribel to be really tertiary, but as she started getting fleshed out more, I felt like, "No, you should either have her be the quirky sidekick or have her be really fleshed out so people will really care about her." But she was somewhere in between, and finally, when I saw Colma onscreen, I found myself thinking, "This is really cool. I think I might be the one gay friend she has. And I think they all thought they were being kind of funny about it, but she never liked it. One of them was that it really bothered me that people kept saying L.A. HPM: There were a lot of reasons that organically led to this. I don't know if you meant that so literally, but if so, why did you decide to tell a story through a fag hag, as opposed to having a gay man be the protagonist? ĪPA: You had mentioned in the panel that you were looking for a gay audience with Fruit Fly. And in the process, she ends up finding out that she's a fag hag. Mendoza: Fruit Fly is a new musical about a Filipina performance artist who moves from the Phillippines to the United States to workshop a new performance piece that deals with her struggling with finding out where her biological parents are.
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Ada TsengĬamera by Warren Kenji Berkey and Oliver ChienĪsia Pacific Arts: Can you start by telling us what Fruit Fly is about?
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While Mendoza joked that he felt like a kid who had won a radio contest, sitting onstage amongst such prestigious company, anyone who watched the screening of Fruit Fly afterwards could see that Outfest got the right guy to offset the jaded studio talk and to represent a young, diverse generation of talent. At this year's Outfest Film Festival, Mendoza participated in a "Words, Pictures, and Music" panel with a guest list which reads like a who's who of the contemporary Hollywood musical: Randal Kleiser (director of Grease), Bill Condon (director of Dreamgirls and Chicago), Peter Barsocchini (director of all the High School Musicals), Leslie Dixon (screenwriter of Hairspray), Linda Woolverton (screenwriter of both the film and stage versions of Beauty and the Beast and The Lion King), Winnie Holzman (author of Wicked), and Allison Burnett (screenwriter of the upcoming adaptation of Fame). In addition to the Colma and Fruit Fly soundtracks, Mendoza has composed three other albums: 2004's Everything is Pop, 2006's Nomad, and 2009's Elsewhere, samplings of which can be found on his MySpace and YouTube sites.
#2 guys walk into a gay bar song pro
Showing once again that he's the pro at the DIY musical - there were less than five crew members on set during the majority of the four-week film shoot - Mendoza took the song and dance to the next level, upping the production value, brightening the colors, diversifying the musical selection, and presenting a no-holds-barred celebration of the mishmash of gay culture, straight culture, youth culture, and artist culture that can be found in the tight quarters of San Francisco. Mendoza adds director to his list of hyphenates with Fruit Fly, which premiered in the Castro Theater at the San Francisco International Asian American Film Festival. After multitasking as screenwriter, composer, and actor in Richard Wong's 2007 indie cult film Colma: the Musical, H.P.